The Chronicles Of His Excellency: Almost-An-Eighth-Of-A-Memoir

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In , Jackie Robinson broke the color line in major league baseball when he was recruited by Branch Rickey to play for the Brooklyn Dodgers. Robinson also offers inspiring anecdotes about sports figures he most admired, like Rickey and teammate Pee Wee Reese. Link to Amazon. Undoubtedly one of the best baseball players in history, Ted Williams was the last man to hit.

He was also insecure, a flawed husband and father, a raging hothead, and aggressive towards the press. With a much smaller team budget than that of other teams, manager Billy Beane used a series of numbers and statistics to build a winning team. Among his recruits were an overweight college athlete, previously ignored triple A players, a tired catcher-turned-first baseman, and a number of older athletes discarded by bigger teams. Joe DiMaggio was an immigrant kid who achieved the American Dream, a New York Yankee who helped to usher the team into its current dynasty, and the sometime husband of the beautiful Marilyn Monroe.

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During his 27 years as a major league pitcher, Nolan Ryan was named an All-Star eight times, pitched seven no-hitters, and threw more than 5, strikeouts. While there are hundreds of biographies written about baseball players, there are far fewer about those behind the scenes. Doug Harvey was a California farm boy and minor league umpire before hard work and dedication helped him break into the big leagues in When he was recruited by the New York Yankees, Mariano Rivera did not own a glove, had never flown in an airplane, could not speak English, and had never heard of Babe Ruth.

In addition to stories about the Yankees, the discovery of his iconic fastball, and the World Series, Rivera very honestly describes the challenges that come with being both a latino and a Christian in the world of professional baseball in the United States. Dickey was the number one draft pick by the Texas Rangers — only to be sidelined by an unlucky x-ray discovery. Still Dickey persevered and became one of the premier pitchers in Major League baseball during the season.

Roberto Clemente had over 3, hits during his year career with the Pittsburgh Pirates. He won four batting titles, led his team to two championships, and was one of only two players to have the five-year waiting period waived before his induction into the Hall of Fame. Pitcher Jim Abbott was an ace pitcher at the University of Michigan, won the gold medal game at the Olympics, and cracked the Major League starting rotation without ever playing in the minor leagues — all without a right hand.

In his memoir, Abbott offers honest insight into the countless challenges he faced on his path to the Major Leagues, the insecurities he dealt with, and his many meaningful encounters with disabled children. Abbott also includes a pitch-by-pitch account of his famous no-hitter. As head coach of the Chicago Bulls and Los Angeles Lakers, Phil Jackson won more championships than any other coach, in any sport, in history.

There is no college basketball coach more famous than John Wooden. By reflecting upon her most painful experiences, Griner sends a powerful message about the importance of staying true to oneself. Larry Bird has been called the greatest all-around player in the history of basketball, but very little is really known about the famously private superstar. In his honest and insightful memoir, Bird reveals the rarely-seen side of himself.

Bird also includes his feelings about players like Michael Jordan, Magic Johnson, and Dominique Wilkins, among others. In this bestselling biography, Thomas Hauser tells the incredible story of Muhammad Ali — from his childhood, to his gold medal fight at the Rome Olympics, to his epic battles against Joe Frazier, and beyond. The Refugees is a book that needs to be read: it is astonishingly good.

Yet, the abiding power of these intelligent, crafted stories is his reading of human nature in domestic situations and often astute dialogue. The short story is a beautiful affirmation of the supreme importance of art in our daily lives. And Viet Thanh Nguyen drives that point home brilliantly. Harrowing yet heartening. But what also makes him such a notable writer is how he can oscillate from comedy to tragedy.

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A captivating testament to the dreams and hardships of immigration. Nguyen handles the subject matter with empathy and sociopolitical awareness. He pairs brutally authentic realism with lyric narratives to ultimately resonate with haunting truth. These stories are unified by their gentle poignancy and their investigations into shifting identity. Nguyen is not here to sympathize. Each intimate, supple, and heartrending story is unique in its particulars even as all are works of piercing clarity, poignant emotional nuance, and searing insights into the trauma of war and the long chill of exile, the assault on identity and the resilience of the self, and the fragility and preciousness of memories.

While Nguyen offers philosophical battles both internal and external, he also uses language that is delivered with reverence and grace, conjuring robust imagery. The Refugees is simply a beautiful collection of captivating stories. This is a book to savor again and again. These books do stand apart, distinct from each other, which makes the world limned in these stories even more remarkable. These are fully human tales, what these vividly rendered characters encounter, all in some way, taking on the shock of arrival in a new land, if not departure from what had been home.

This is beautiful, telling work—once again! The stories set out immigrant experiences both here and in other places mainly Vietnam. The experiences are riveting, compelling, and ring true. The writing, as I am told has been said, is as good as The Sympathizer , but a comparison is really not necessary. Each rather difficult, yet short and provocative. Ghosts, writing, dominant mothers, the primacy of sons. A lovely nuanced theory of visitation. Ever since my father died a few years ago, my mother and I had lived together politely.

We shared a passion for words, but I preferred writing in silence while she loved to talk. She constantly fed me gossip and stories. The only kind I enjoyed concerned my father when he was a man I did not know, young and happy. Then came stories of terror like the one about the reporter, the moral being that life, like the police, enjoys beating people now and again.

Finally there was her favorite kind, the ghost story, of which she knew many, some even firsthand. Aunt Six died of a heart attack at seventy-six, she told me once, twice, or perhaps three times, repetition being her habit. I never took her stories seriously. Does that make me an expert now? But it has taken me down that path, and certainly I know more about writing books and my writing skills are much improved. There is no doubt in my mind that this book will be the most difficult book I could ever attempt to write.

It is difficult because there is so much emotional investment in this book for me. Michael has been gone from my life for a decade, but the compilation of these materials still must be taken slowly, a little at a time. On the other hand, emotional investment in the author lends authenticity to the story and that, according to some, leads to best seller material that people want to read. If you go by that thinking, the more difficult the book is to write, the better it will be. I thought I had the title. Sometimes, I felt that everyone had forgotten about him except my husband and I.

A title that would make people remember is a must, and I think it does that.

Full text of "A memoir of Thomas Bewick"

At this point, I have to wonder if a subtitle is even necessary. Comments on Facebook reflect the idea that the title is strongest without any subtitle. There is still much to do in addition to compiling material and deciding on a title, before I can begin the actual writing of the story, pre-writing tasks, if you will. There are still more materials to gather and research to be done.

I know you may be wondering what there is to research. After all I lived it. But the fact is there is research to be done on every book. On this one, I need to know things like statistics on teen suicide, and I need resources for warning signs of suicide and other information on the subject. I may not use everything I dig up, but I will have it available if I decide that it has a place in this book.

There is so much that I want to say, but not all of it belongs. Finding my voice for this book will mean finding my true voice. I must learn to control the emotional whirpool that surfaces when I anticipate these contacts, the memories connected, cause turmoil within me. But, I know his story must be told, and to tell it in the manner it deserves, and so, I must contain my emotions and silence the memories in order to what must be done.

The very act of doing this very difficult task for the sake of his story will become a part of my own, for it is my story, as well. There must be at least a vague outline, which is now begining to take shape in my head. I believe I know how I want to begin the story and the structure I need to use. The next step will be to get it down in print, so I have a clear direction in which I want the story to go which I can refer back to to ensure that I stay on track. And three, commiting to bi-monthly accountability to you, my readers and fellow authors, forces me to create and meet deadlines, assuring that I make adequate progress on the book.

Since I hope to get this memoir published traditionally, I will also need a book proposal, a query letter and somewhere around the first three to five chapters for that. I do hope you will join me on my journey. My guest today is an author, nature lover and plant ecologist. Her books reveal connections with nature and life that have not been pondered or may have been overlooked in our everyday lives. With a background in science and plant ecology, she expertly weaves her natural environment into her writings, illustrating how all things interact and connect. Let me introduce creative nonfiction author, Susan J.


  • See a Problem?;
  • The Grace of Silence: A Memoir;
  • Au cœur de la mémoire (OJ.SCIENCES) (French Edition);
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  • El alma y su destino (Spanish Edition).

Kaye: You are a female author who champions the natural environment. Do you identify most as a feminist, a naturalist or an environmentalist? Susan: All of the above. I grew up in a family of naturalists and scientists; restoring everyday nature is my way of leaving the world a better place. And I work in two fields where women are still second-class citizens in so many ways: science and writing.

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So am a feminist just be participating in those fields as a woman. Kaye: On your website you claim that you taught yourself to write after you realized that you enjoyed the stories told by the data more than you did doing the research. How does one teach oneself to write? As I read, I thought about the mechanics of how each writer told their stories whether fiction or essays , how they introduced subjects and characters, where they got personal and where they stepped back, how they described landscape and culture, how they used words and language… I tried out techniques and styles until I found my own voice, which has continued to evolve through twelve books and hundreds of essays, articles, and columns for newspapers and magazines.

Kaye: Connections are a common theme in many of your works.

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Can you talk a little about those? Without them we would not exist, and we have so much to learn about the connections that are vital to this planet. Kaye: Writing seems to be a way of life for you, and your love for nature is woven into almost everything you do. If you could convey one message to your readers, what would it be? Susan: Get outside and get to know nature nearby. Kaye: Besides writing and ecological restoration projects, what are your favorite things to do? At home, I tend a small garden of native wildflowers and other plants chosen to provide habitat for songbirds and pollinators, cook elaborate dinners for family and friends, and read.

What makes an experience worthy to become a memoir? Susan: Memoir is a way of distilling what our own lives and experiences have to offer others. What makes an experience worthy of memoir is partly whether we can find a way of telling the story that is compelling to others that is, to a wider audience than our close friends and family! It might be that we lived through a critical part of history, or our personal journey is exceptional in some way, or simply that we figure out how to relate our very ordinary story in a way that offers some universal wisdom about being human.


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Both of my published memoirs— Walking Nature Home ; and Barren, Wild, and Worthless: Living in the Chihuahuan Desert —taught me about how to tell a story, how show the way we grow and change over time, and how to pick and choose telling detail. Each one presented different challenges, and the memoir I am working on now is challenging me in new ways. Telling my personal story may be my greatest learning experience as a writer!

Susan: They are an immersion in writing, in learning place and story, and in the inner work that is the source of our creativity. Each one includes hands-on writing and workshop time, as well as time to retreat and nurture our inner selves. Each one is set in some extraordinary place chosen to inspire us, with time spend exploring that place. How are these organizations beneficial to you as a writer? Susan: I am also a member of Wyoming Writers. Belonging to at least one professional writing organization is critical to writing: they offer education, resources, and, most importantly.

Writing is an inherently solitary activity: pulling words from deep within, honing them into stories, and then offering the work of our hearts to the world is perilous. Finding a community of fellow sufferers… uh, writers, is essential to maintaining our sanity, growing in the craft, and getting published.

Susan: Besides leaving behind a paycheck, benefits, and job security to chase words and stories? Kayaking with sea turtles in the Sea of Cortez off Baja California? Learning about how to blow up dams to restore a river and its salmon run? Dancing with a Native American community to celebrate the return of those salmon? Watching a grizzly bear mom teach her twin cubs how to dig and eat spring-beauty bulbs in a meadow in Yellowstone National Park?

Walking alone through some of the wildest country in the Lower 48 states, carrying all I needed on my back to listen to myself? Tending my husband and the love of my life through his death from brain cancer and then figuring out how to write how to survive loss? Seeing monarch butterflies return to a restored patch of urban nature? Kaye: What are you working on now? What can readers expect in the future from Susan J. Many thanks to Susan for sharing with us today.

You can learn more about Susan J. Tweit and her work by visiting the following links:. This first post will talk about the prewriting stage for memoir. I have the pleasure of interviewing independent author Brenda Mohammed today. She is not only a multi-genre author, but a multi-award winning author, who seems to dabble in a bit of everything.

She comes from a background in finance, but became an author when she wrote a memoir about her battle with ovarian cancer. Please give a warm welcome to Brenda Mohammed. I was a successful Bank Manager for many years. I loved working in Finance and helping many people achieve their financial goals. In I was stricken with ovarian cancer. My doctor in Trinidad told me that she could not help me, and no other doctor in Trinidad at that time was qualified to do so. I sought treatment in Miami and gained a new lease on life.

In I wrote a book about my cancer ordeal and recovery, I am Cancer Free. That was my first book and I have never stopped writing after that. To date I have written nineteen books.


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